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Aeschylus I define to have been a truly gigantic man (I mean by this m — Aeschylus

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"Aeschylus I define to have been a truly gigantic man (I mean by this much more than the mere trivial figure of elocution usually expressed by the word gigantic), one of the largest characters ever known, and all whose movements are clumsy and huge, like those of a son of Anak. In short, his character is just that of Prometheus himself as he has described him. I know no more pleasant thing than to study Aeschylus. You fancy that you hear the old dumb rocks speaking to you of all things they had been thinking of since the world began, in their wild, savage utterances."
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Aeschylus
Aeschylus
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Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with

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"Θεοὺς μὲν αἰτῶ τῶνδ᾿ ἀπαλλαγὴν πόνων, φρουρᾶς ἐτείας μῆκος, ἣν κοιμώμενος στέγαις Ἀτρειδῶν ἄγκαθεν κυνὸς δίκην ἄστρων κάτοιδα νυκτέρων ὁμήγυριν, καὶ τοὺς φέροντας χεῖμα καὶ θέρος βροτοῖς λαμπροὺς δυνάστας, ἐμπρέποντας αἰθέρι, ἀστέρας ὅταν φθίνωσιν, ἀντολάς τε τῶν."
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"History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles. When you go to Mexico City through space, you find it a sort of cross between modern Madrid and modern Chicago, with additions of its own; but if you go to Mexico City through history, back only 500 years, you will find it as distant as though it were on another planet: inhabited by cultivated barbarians, sensitive and cruel, highly organized and still in the Copper Age, a collection of startling, of unbelievable contrasts."
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