For me the ideal Olympics would be to go in with all that pressure, al — Bode Miller

"Fame is almost a poison. I couldn’t care less, in fact I lived better when I was a nobody."

"Anyone who isn’t strong is left in a corner, no one asks for their autograph, they are abandoned in the cold shadows. Those who win, however, become icons."

"It is other people who want me to win medals."

"The silver medals I won in Salt Lake City didn’t give me anything. Last year I set myself the goal of winning the World Cup and lining up a long series of wins. It was my private challenge."

"This year I just want to enjoy myself. I could give up tomorrow without having the slightest regret. I could keep away from this world for a year and then perhaps start to feel the desire to prove something to myself again."

"You basically have to trick yourself into incredible intensity to do this stuff, and I do a good job of pretending that I’m racing to save my mom from getting killed or my sister from being raped—some horrible thing that causes me to dig deep, like old-school ‘Braveheart’ s---. If you come into battle with that in your head, you’re gonna be a different person than if you think you’re just going out for a little swordfight. But when you do that for 10 years straight, it wears your a-- out. It’s like crying wolf to yourself a million times. And at some point, you start to say, ‘Why am I doing this?’"

"I say this to you because we Spaniards are a forgetful people, because we are used to living for the moment, because we do not look back, because we do not know how to see the chain of heroes, because we do not contemplate the sum of sacrifices."

"If it fulfills our hopes, this center will be, at once, a symbol and a reflection and a hope. It will symbolize our belief that the world of creation and thought are at the core of all civilization. Only recently in the White House we helped commemorate the 400th anniversary of Shakespeare. The political conflicts and ambitions of his England are known to the scholar and to the specialist. But his plays will forever move men in every corner of the world. The leaders that he wrote about live far more vividly in his words than in the almost forgotten facts of their own rule. Our civilization, too, will largely survive in the works of our creation. There is a quality in art which speaks across the gulf dividing man from man and nation from nation, and century from century. That quality confirms the faith that our common hopes may be more enduring than our conflicting hostilities. Even now men of affairs are struggling to catch up with the insights of great art. The stakes may well be the survival of civilization. The personal preferences of men in government are not important--except to themselves. However, it is important to know that the opportunity we give to the arts is a measure of the quality of our civilization. It is important to be aware that artistic activity can enrich the life of our people, which really is the central object of Government. It is important that our material prosperity liberate and not confine the creative spirit."

"There was a man and he had eight sons. Apart from that, he was nothing more than a comma on the page of History. Its sad, but thats all you can say about some people."

"Children must be free to think in all directions irrespective of the peculiar ideas of parents who often seal their childrens minds with preconceived prejudices and false concepts of past generations. Unless we are very careful, very careful indeed, and very conscientious, there is still great danger that our children may turn out to be the same kind of people we are."

"I hear people say I swing at bad pitches. What is a bad pitch? If I can hit it, its not a bad pitch."

"A free people will always refuse to put up with preventable poverty. If freedom is to be saved and enlarged, poverty must be ended. There is no other solution. The problem of how to prevent these three forces from coming into head-on collision is the principal study of the more politically conscious Conservative leaders. How can wealth persuade poverty to use its political freedom to keep wealth in power? Here lies the whole art of Conservative politics in the twentieth century."