SHAWORDS

I have two principle aims, two life works. The second is my sonata [Sc — Kurt Schwitters

"I have two principle aims, two life works. The second is my sonata [Schwitters UrSonata - a long sound poem of 35 minutes]"
Kurt Schwitters
Kurt Schwitters
Kurt Schwitters
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Kurt Hermann Eduard Karl Julius Schwitters was a German artist. He was born in Hanover, Germany, but lived in exile from 1937.

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"Then we went down to his work room, in the horrible beautiful Merz grotto [Merz-Haus / MerzBau, built by Schwitters in Hannover as his studio], where broken wheels paired with matchboxes, wire lattices with brushes without bristles, rusted wheels with curious Merz cucumbers.. .How often did we p-lay in this room! Schwitters called playing, considering the sweat, working. There we glued [collages] together our paper pictures, and as I tossed away one of my glued-together works one morning, Schwitters asked, You dont like it? Can I have it? – What do you want with this failed piece of toast? Schwitters took a good look at it and said, Ill put whats on top on the bottom, Ill stick a little Merz nose in this corner and I’ll sign the bottom Kurt Schwitters. And, yes indeed, this collage became a wonderful picture by Kurt Schwitters. Schwitters was a wizard, just as Hokusai was a wizard."
Kurt SchwittersKurt Schwitters
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"One of my first sculptures was made of bicycle parts. I was living at that time in a attic in the red light section of Amsterdam. I started to work without any specific materials. I was looking in the street, like when I was a young boy, in the garbage cans, for ropes, wires, and paint. I left my parents in 1940. Years later I saw an exhibition of Kurt Schwitters at the Stedelijk Museum in Amsterdam curated by w:Willem Sandberg and there I saw the real objet trouvé; until then I had never heard about it. Schwitters was a shattering experience."
Kurt SchwittersKurt Schwitters
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"When I was born 20.6.[18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picassos influence and said to my mother: Tom or Happening, meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrians influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists.. .I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.. ..and at all I have much fun about Art."
Kurt SchwittersKurt Schwitters

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