It goes back to 1989-1990, when we were at our most aggressive period — Chris Cornell

"That’s one of those songs that kind of happened in one moment. I just picked up a guitar and started playing it, and those lines just came out. I had a dream when I was in Seattle with my wife. I woke up from this dream, and as I woke up it was like I was sort of flying away above us. I remember feeling like our whole life is wrapped up in moments, but we have to be really aware because it’s so short. That was kind of what the song was about to me. We have to be really aware of every moment together. All we really know is that we have this life. Who knows what else is gonna happen? Let’s not let it suddenly be over and we didn’t appreciate it from day to day, from hour to hour, ’cause life’s gonna fly by."

"I was on tour with Soundgarden, and I remember writing down the title. The title immediately brought up the idea of the song, which is that someone is so distracted by a new person or a new thing in their life that they kind of forgot that they had given up on life. Sometimes it just happens without us even noticing."

"I think Freddie Mercury is probably the best of all time, in terms of a rock voice. There was a vulnerability to it, his technical ability was amazing, and so much of his personality would come out through his voice. I’m not even a guy to buy Queen records, really, and I still think he’s one of the best."

"I met Chris at the end of 85 at a Halloween party, at an artist studio in Belltown, and I was out on the town that night with my dear frien Chuck, a.k.a. Upchuck from the Fags. And Chuck dresses me up as him in drag – he was in drag most of the time – so I had a long blond fright wig and a kimono and pancake makeup. Soundgarden was playing the party, as a three-piece, with Chris on drums and vocals. They were amazing. Id worked with Ben McMillan in a vintage clothing store in town called Tootsies. And Chris came in to talk to him, and the story that Chris told me is that I caught his eye. So he kept coming in and trying to get my attention, but I paid him no mind. Partly because I had just broken up with Gordon earlier that year, so I was in a pretty dark space. After the band played, Chris came up to me and recognized me, which he got huge points for because I was in full drag-queen regalia. He said the band were trying to get a show in Vancouver, so I told him that I was going up there to a show in the next week, and if he wanted to meet, I would take a tape for them. So we met, and he gave me that tape, and we saw each other a week later at the Vogue. After that, we went to a 24-hour dinner. We tried to go back to my house, but Id lost my keys. We made out for a while, and then he took me to my moms in West Seattle, and it was just on from there. At the time, it was healing for me."

"Hip-hop kind of absorbed rock, in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn’t their parents’. I think hip-hop became the musical style that embraces that mentality."

"It’s that weird magic of if you sing a song you’re connecting to emotionally, its going to trick me into feeling my emotions. Im not feeling your [pain], I dont know what happened to you, but you have just tricked me into feeling my own pain and my own emotions and that is an amazing thing. Thats this miraculous thing about music. Film can do it too, art can do it, but music does it great. That’s where making an album like this [Higher Truth] is exciting and special. The downside is you pretty much have to do it on every song. You don’t get a free pass unless you write a joke song, which Im not good at. If I wrote like the [Beatles’] ballad ‘Rocky Raccoon’ or something I could get away from it for a second. A song about a raccoon that gets in a gun fight."

"[explaining to Ernie how April apologized to him] She just showed up at the factory, took off her coat, and begged me to take her. We made love in a way that Ive only ever seen in nature films."

"All men suppose what is called Wisdom to deal with the first causes and the principles of things; so that, as has been said before, the man of experience is thought to be wiser than the possessors of any sense-perception whatever, the artist wiser than the men of experience, the masterworker than the mechanic, and the theoretical kinds of knowledge to be more of the nature of Wisdom than the productive."

"The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine."

"Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances."

"The intimate rapport with nature is one of the most precious things in life. Nature is indeed very close to us; sometimes closer than hands and feet, of which in truth she is but the extension. The emotional appeal of nature is tremendous, sometimes almost more than one can bear."

"Are people naturally destructive, immoral, predatory and self-seeking, only to be kept in order by harsh laws and fiercely deterrent mandatory sentences? Or are men and women naturally orderly, merciful, humane and bred with a need for justice and mutual aid? Of course these qualities, or defects, are not evenly distributed, and undoubtedly there is much of each in all of us, but when it comes to the law some sort of distinction can be drawn. Are you a Shylock or a Bassanio? Shylock pinned his faith on the words in the contract, the nature of his bond and the duty of the state to uphold the letter of the law regardless of human suffering. Bassanio put another point of view. More important than the sanctity of the law was the plight of the individual parties in the particular case."