Probably the strongest influence on Bubers concept of realization, how — Søren Kierkegaard

"An authorship that began with Either/Or and advanced step by step seeks here its decisive place of rest, at the foot of the altar, where the author, personally most aware of his own imperfections and guilt, certainly does not call himself a truth-witness but only a singular kind of poet and thinker who, without authority, has had nothing new to bring but “has wanted once again to read through, if possible in a more inward way, the original text handed down from the fathers” Preface P. 165"

"Christ speaks of two debtors, one of whom owed much and the other little, and who both found forgiveness. He asks: Which of these two ought to love more? The answer: The one who has forgiven much. When you love much, you are forgiven much-and when you are forgiven much, you love much. See here the blessed recurrence of salvation in love! P. 176"

"The reason I cannot really say that I positively enjoy nature is that I do not quite realize what it is that I enjoy. A work of art, on the other hand, I can grasp. I can — if I may put it this way — find that Archimedian point, and as soon as I have found it, everything is readily clear for me. Then I am able to pursue this one main idea and see how all the details serve to illuminate it."

"It belongs to the imperfection of everything human that man can only attain his desire by passing through its opposite."

"Job endured everything — until his friends came to comfort him, then he grew impatient."

"now, in the solemn silence before God with the lilies and the birds, where accordingly there is nobody at all present, where accordingly there is no other intercourse for thee but with God-there indeed the rule holds good: either hold to Him/or despise Him. There is no excuse, for no one else is present, in any case no one is present in such a wise that thou canst hold to him without despising God; for precisely there in the silence it is clear how close God is to thee. P. 334"

"In the life of the mass-order, the culture of the generality tends to conform to the demands of the average human being. Spirituality decays through being diffused among the masses when knowledge is impoverished in every possible way by rationalisation until it becomes accessible to the crude understanding of all."

"The first thing I remember about the world — and I pray that it may be the last — is that I was a stranger in it. This feeling, which everyone has in some degree, and which is, at once, the glory and desolation of homo sapiens, provides the only thread of consistency that I can detect in my life."

"Jewish custom, which traces descent solely from the mother, is more sensible and more discreet. Our own lawgivers cant accept the fact that there are many things in family life that are best kept shrouded in mystery."

"One makes mistakes; that is life. But it is never a mistake to have loved."

"If it fulfills our hopes, this center will be, at once, a symbol and a reflection and a hope. It will symbolize our belief that the world of creation and thought are at the core of all civilization. Only recently in the White House we helped commemorate the 400th anniversary of Shakespeare. The political conflicts and ambitions of his England are known to the scholar and to the specialist. But his plays will forever move men in every corner of the world. The leaders that he wrote about live far more vividly in his words than in the almost forgotten facts of their own rule. Our civilization, too, will largely survive in the works of our creation. There is a quality in art which speaks across the gulf dividing man from man and nation from nation, and century from century. That quality confirms the faith that our common hopes may be more enduring than our conflicting hostilities. Even now men of affairs are struggling to catch up with the insights of great art. The stakes may well be the survival of civilization. The personal preferences of men in government are not important--except to themselves. However, it is important to know that the opportunity we give to the arts is a measure of the quality of our civilization. It is important to be aware that artistic activity can enrich the life of our people, which really is the central object of Government. It is important that our material prosperity liberate and not confine the creative spirit."

"I did not go to join Kurtz there and then. I did not. I remained to dream the nightmare out to the end, and to show my loyalty to Kurtz once more. Destiny. My destiny! Droll thing life is — that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself — that comes too late — a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hairs-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness. He had summed up — he had judged. The horror! He was a remarkable man. After all, this was the expression of some sort of belief; it had candor, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth — the strange commingling of desire and hate."