"The absolute idea is the subject in its final form, thought. The otherness and negation is the object, being. The absolute idea now has to be interpreted as objective being. Hegel’s Logic thus ends where it began, with the category of being. This, however is a different being that can no longer be explained thought he concepts applied in the analysis that opened the Logic. For being now is understood in its notion that is, as a concrete totality wherein all particular forms subsist as the essential distinctions and relations of on comprehensive principle. Thus comprehended, being is nature, and dialectical thought passes on to the Philosophy of Nature. P. 165-166"
Herbert Marcuse was a German and American philosopher, social critic, and political theorist, associated with the Frankfurt School of critical theory. Born in Berlin, Marcuse studied at the Friedrich Wilhelm University of Berlin and then at the University of Freiburg, where he received his PhD. He was a prominent figure in the Frankfurt-based Institute for Social Research, which later became known
"Under the rule of a repressive whole, liberty can be made into a powerful instrument of domination. The range of choice open to the individual is not the decisive factor in determining the degree of human freedom, but what can be chosen and what is chosen by the individual."
Herbert Marcuse"[Art] can speak its own language only as long as the images are alive which refuse and refute the established order."
Herbert Marcuse"Ever since the first World War, when the system of liberalism began to shape into the system of authoritarianism, a widespread opinion has blames Hegelianism for the ideological of the new system. P. 390"
Herbert Marcuse"They [great works of literature] are invalidated not because of their literary obsolescence. Some of these images pertain to contemporary literature and survive in its most advanced creations. What has been invalidated is their subversive force, their destructive content—their truth. In this transformation, they find their home in everyday living. The alien and alienating oeuvres of intellectual culture become familiar goods and services. Is their massive reproduction and consumption only a change in quantity, namely, growing appreciation and understanding, democratization of culture? The truth of literature and art has always been granted (if it was granted at all) as one of a “higher” order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism, where the most contradictory works and truths peacefully coexist in indifference. Prior to the advent of this cultural reconciliation, literature and art were essentially alienation, sustaining and protecting the contradiction—the unhappy consciousness of the divided world, the defeated possibilities, the hopes unfulfilled, and the promises betrayed. They were a rational, cognitive force, revealing a dimension of man and nature which was repressed and repelled in reality."
Herbert Marcuse"To live ones love and hatred, to live that which one is means defeat, resignation, and death. The crimes of society, the hell that man has made or man become unconquerable cosmic forces."
Herbert Marcuse"This mutual dependencies no longer the dialectical relationship between master and servant, which has been broken in the struggle for mutual recognition, but rather a vicious circle which encloses both the master and the servant. Do the technicians rule, or is their rule that of the others, who rely on the technicians as their planners and executors?"
Herbert Marcuse"Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation."
Samuel Taylor Coleridge"The Good consists in the congruity of a thing with the laws of the reason and the nature of the will, and in its fitness to determine the latter to actualize the former: and it is always discursive. The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive."
Samuel Taylor Coleridge"I believe that the unity of man as opposed to other living things derives from the fact that man is the conscious life of himself. Man is conscious of himself, of his future, which is death, of his smallness, of his impotence; he is aware of others as others; man is in nature, subject to its laws even if he transcends it with his thought."
Erich Fromm"Who made you glorious as the gates of heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flower Of loveliest blue, spread garlands at your feet? God! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, God! God! sing, ye meadow-streams, with gladsome voice! Ye pine-groves, with your soft and soul-like sounds! And they too have a voice, yon piles of snow, And in their perilous fall shall thunder, God!"
Samuel Taylor Coleridge"All Nature seems at work. Slugs leave their lair — The bees are stirring — birds are on the wing — And Winter slumbering in the open air, Wears on his smiling face a dream of Spring! And I the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing."
Samuel Taylor Coleridge"Taste is the intermediate faculty which connects the active with the passive powers of our nature, the intellect with the senses; and its appointed function is to elevate the images of the latter, while it realizes the ideas of the former."
Samuel Taylor Coleridge