Quote
"Well, its a crazy, fucked up world! And were all just barely floating along, waiting for somebody that can walk on water."
"The Fight: What does it mean and where does it come from? An Essay: Homosapien. A man. He is alone in the universe. A punker. Still a man. He is alone in the universe, but he connects. How? They hit each other. Ooh! No clearer way to evaluate whether or not youre alive. Now, complications. A reason to fight. Somebody different. Difference creates dispute. Dispute is a reason to fight. To fight is a reason to feel pain. Life is pain. So to fight with reason is to be alive with reason. Final analysis: To fight, a reason to live. Problems and Contradictions: I am an anarchist. I believe that there should be no rules, only chaos. Fighting appears to be chaos and when we slam in the pit a show it is. But when we fight for a reason, like rednecks, theres a system. We fight for what we stand for, chaos, but fighting is a structure, to establish power, power is government and government is not anarchy. Government is war and war is fighting. The circle goes like this: our redneck skirmishes are cheap perversions of conventional warfare. War implies extreme government because wars are fought to enforce rules or ideals, even freedom. But other peoples ideals forced on someone else, even if it is something like freedom, is still a rule; not anarchy. This contradiction was becoming clear to me in the fall of 85. Even as early as my first party, "Why did I love to fight?" I framed it, but still, I dont understand it. It goes against my beliefs as a true anarchist. But there it was. Competition, fighting, capitalism, government, THE SYSTEM. Thats what we did. Its what we always did. Rednecks kicked the shit out of punks, punks kicked the shit out of mods, mods kicked the shit out of skinheads, skinheads took out the heavy metal guys, and the heavy metal guys beat the living shit out of new wavers and the new wavers didnt do anything. They were the new hippies. So what was the point? Final summation? None."

SLC Punk! is a 1998 American comedy-drama film written and directed by James Merendino. The film centers around Steven "Stevo" Levy, a college graduate and punk living in Salt Lake City during the mid-1980s.
"Well, its a crazy, fucked up world! And were all just barely floating along, waiting for somebody that can walk on water."
"See, to me, England was nothing more then a big fucking American state like North Dakota or Canada."
"The thing with me and Bob and pretty much all of us was we hated rednecks, more than anything else, period. Because rednecks for us were pretty much America incarnate, and America? Well, fuck America!"
"Posers were people who looked like punks but they did it for fashion. And they were fools, theyd say "anarchy in the UK." What the fucks that? Anarchy in the UK. What good is that to those of us in Utah, America? It was a Sex Pistols thing. They were British, they were allowed to go on about Anarchy in the UK. You dont live your life by lyrics."
"Its like fucking Jesus Christ took a shit and it landed right here, so you can be happy all you fucking want."
"You see life is like that. We change, thats all. You see, the guy I am now is not the guy I was then. If the guy I was then met the guy I am now hed beat the shit out of me. Those are the facts."
"At one point a heated discussion arose over the possible interpretation of Lolita as a grandiose metaphor of the classic Europeans hopeless love for young, seductive, barbaric America. In his afterword to the novel Nabokov himself mentions this as the naive theory of one of the publishers who turned the book down. And although there cant be the slightest doubt that Nabokov did not mean to limit Lolita to that interpretation, there is no reason to exclude it as one of the novels many dimensions. The point, I felt, became obvious when one drew the line between Lolita as a delightfully frivolous story on the verge of pornography and Lolita as a literary masterpiece, the only convincing love story of our century."
"Lovely food, for rabbits, that is."
"One makes mistakes; that is life. But it is never a mistake to have loved."
"[explaining to Ernie how April apologized to him] She just showed up at the factory, took off her coat, and begged me to take her. We made love in a way that Ive only ever seen in nature films."
"Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised."
"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."