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"You cannot change what you are, only what you do."
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Philip Pullman"They lay back, well fed and comfortable in the flower-scented night, and listened to Mary tell her story. She began just before she first met Lyra, telling them about the work she was doing at the Dark Matter Research group, and the funding crisis. How much time she’d had to spend asking for money, and how little time there’d been left for research! But Lyra’s coming had changed everything, and so quickly: within a matter of days she’d left her world altogether. "I did as you told me," she said. "I made a program — that’s a set of instructions — to let the Shadows talk to me through the computer. They told me what to do. They said they were angels, and — well…" "If you were a scientist," said Will, "I don’t suppose that was a good thing for them to say. You might not have believed in angels." "Ah, but I knew about them. I used to be a nun, you see. I thought physics could be done to the glory of God, till I saw there wasn’t any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that’s all."
Sir Philip Nicholas Outram Pullman is an English writer. He is best known for the fantasy trilogy His Dark Materials. The first volume, Northern Lights (1995), won the Carnegie Medal and later the "Carnegie of Carnegies". The third volume, The Amber Spyglass (2000), won the Whitbread Award. In 2017, he started a companion trilogy, The Book of Dust, of which the final novel, The Rose Field, was pub
"You cannot change what you are, only what you do."
"Human beings can’t see anything without wanting to destroy it, Lyra. That’s original sin."
"Who is this man whos got the knife?"
"Im trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvellous toolbox and does nothing with it except construct shoot-em-up games. Why shouldnt a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen? Well, there are a few fantasies that are. One of them is Paradise Lost."
"I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story — the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake."
"That light," said the Chaplain, "is it going up or coming down?" "Its coming down," said Lord Asriel, "but it isnt light. Its Dust." Something in the way he said it made Lyra imagine dust with a capital letter, as if this wasnt ordinary dust. The reaction of the Scholars confirmed her feeling, because Lord Asriels words caused a sudden collective silence, followed by gasps of incredulity."
"As long as you keep getting born, it’s okay to die sometimes."
"The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum - even encourage the more critical and dissident views. That gives people the sense that theres free thinking going on, while all the time the presuppositions of the system are being reinforced by the limits put on the range of the debate."
"History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles. When you go to Mexico City through space, you find it a sort of cross between modern Madrid and modern Chicago, with additions of its own; but if you go to Mexico City through history, back only 500 years, you will find it as distant as though it were on another planet: inhabited by cultivated barbarians, sensitive and cruel, highly organized and still in the Copper Age, a collection of startling, of unbelievable contrasts."
"As soon as a thought or word becomes a tool, one can dispense with actually ‘thinking’ it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics—the model of all neo-positivistic thinking—lies in just this ‘intellectual economy.’ Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. … Reason … becomes a fetish, a magic entity that is accepted rather than intellectually experienced."
"Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was still scrubbing clothes on the back porch on a washboard!"
"A word of the faith that never balks, Here or henceforward it is all the same to me, I accept Time absolutely. It alone is without flaw, it alone rounds and completes all, That mystic baffling wonder alone completes all. (23)"