SHAWORDS

[Tolerance] is just a makeshift, suitable for an overcrowded and overh — E. M. Forster

"[Tolerance] is just a makeshift, suitable for an overcrowded and overheated planet. It carries on when love gives out, and love generally gives out as soon as we move away from our home and our friends."
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E. M. Forster
E. M. Forster
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Edward Morgan Forster was an English author. He is best known for his novels, particularly A Room with a View (1908), Howards End (1910) and A Passage to India (1924). He also wrote numerous short stories, essays, speeches and broadcasts, as well as biographies and pageant plays. His short story "The Machine Stops" (1909) is often viewed as the beginning of technological dystopian fiction. He also

More by E. M. Forster

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"As for my politics, you will have guessed that I am not a Fascist — Fascism does evil that evil may come. And I am not a Communist, though perhaps I might be one if I was a younger and braver man, for in Communism I see hope. It does many things which I think evil, but I know that it intends good. I am actually what my age and my upbringing have made me — a bourgeois who adheres to the British constitution, adheres to it rather than supports it, and the fact that this isnt dignified doesnt worry me. I do care about the past. I do care about the preservation and extension of freedom."
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E. M. Forster
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"I never expect anything to happen now, and so I am never disappointed. You would be surprised to know what my great events are. Going to the theatre yesterday, talking to you now — I dont suppose I shall ever meet anything greater. I seem fated to pass through the world without colliding with it or moving it — and Im sure I cant tell you whether the fates good or evil. I dont die — I dont fall in love. And if other people die or fall in love they always do it when Im just not there. You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before."
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E. M. Forster
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"This woman was a goddess to the end. For her no love could be degrading: she stood outside all degradation. This episode, which she thought so sordid, and which was so tragic for him, remained supremely beautiful. To such a height was he lifted, that without regret he could now have told her that he was her worshipper too. But what was the use of telling her? For all the wonderful things had happened. "Thank you," was all that he permitted himself. "Thank you for everything.""
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E. M. Forster
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"He remembered his wifes even goodness during thirty years. Not anything in detail — not courtship or early raptures —but just the unvarying virtue, that seemed to him a womans noblest quality. So many women are capricious, breaking into odd flaws of passion or frivolity. Not so his wife. Year after year, summer and winter, as bride and mother, she had been the same, he had always trusted her. Her tenderness! Her innocence! The wonderful innocence that was hers by the gift of God. Ruth knew no more of worldly wickedness and wisdom than did the flowers in her garden, or the grass in her field. Her idea of business — "Henry, why do people who have enough money try to get more money?" Her idea of politics — "I am sure that if the mothers of various nations could meet, there would be no more wars," Her idea of religion — ah, this had been a cloud, but a cloud that passed. She came of Quaker stock, and he and his family, formerly Dissenters, were now members of the Church of England. The rectors sermons had at first repelled her, and she had expressed a desire for "a more inward light," adding, "not so much for myself as for baby" (Charles). Inward light must have been granted, for he heard no complaints in later years. They brought up their three children without dispute. They had never disputed. She lay under the earth now. She had gone, and as if to make her going the more bitter, had gone with a touch of mystery that was all unlike her."
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E. M. Forster

More on Love

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"At one point a heated discussion arose over the possible interpretation of Lolita as a grandiose metaphor of the classic Europeans hopeless love for young, seductive, barbaric America. In his afterword to the novel Nabokov himself mentions this as the naive theory of one of the publishers who turned the book down. And although there cant be the slightest doubt that Nabokov did not mean to limit Lolita to that interpretation, there is no reason to exclude it as one of the novels many dimensions. The point, I felt, became obvious when one drew the line between Lolita as a delightfully frivolous story on the verge of pornography and Lolita as a literary masterpiece, the only convincing love story of our century."
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"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."
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Heart of Darkness