"When one is fighting a paper-war one uses paper-war tactics that in the long run can be just as lethal as high explosive. And the tactics are not limited in scope by use of one material. The said material is very variable in form. Paper can convey a private warning, a public threat, secret temptation, open defiance; wall-bills, window-stickers, leaflets dropped by the thousands from the roof-tops, cards left on seats or slipped into pockets and purses... money."
Eric Frank Russell was a British writer best known for his science fiction novels and short stories. Much of his work was first published in the United States, in John W. Campbell's Astounding Science Fiction and other pulp magazines. Russell also wrote horror fiction for Weird Tales and non-fiction articles on Fortean topics. Up to 1955 several of his stories were published under pseudonyms, incl
"Well, that is a valuable addition to the sum total of our knowledge. Our minds are now enriched by the thought that an anonymous individual may be presented with a futile object for an indefinable purpose when he reaches his unknown destination."
"Time—the older you get the faster it goes."
"“I was thinking,” Harrison explained. “I approve of that,” put in His Excellency. He lugged a couple of huge tomes our of the wall-shelves, began to thumb rapidly through them. “Do plenty of thinking whenever you’ve the chance and it will become a habit. It will get easier and easier as time rolls on. In fact, a day may come when it can be done without pain.”"
"Any chance of accidentally dropping our cargo of bureaucrats overboard on the way back? A misfortune like that might benefit the spaceways, if not humanity."
"“Anyway, one soon loses appreciation of the value of something gained for nothing, one becomes bored by getting it for the mere asking.” “I don’t,” assured Zalumar. “I like it, I love it.” “Every day I see windows full of gold watches,” said Lakin. “They tire me. I have a gold watch which I obtained by demanding it. I don’t want fifty gold watches. I don’t even want two of them. So what use are all the others to me?”"
"“What’s the matter with you? Got a bellyache or something?” “No, sir. I’ve been thinking.” “Does it hurt that much?”"
"Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation."
Samuel Taylor Coleridge"The Good consists in the congruity of a thing with the laws of the reason and the nature of the will, and in its fitness to determine the latter to actualize the former: and it is always discursive. The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive."
Samuel Taylor Coleridge"I believe that the unity of man as opposed to other living things derives from the fact that man is the conscious life of himself. Man is conscious of himself, of his future, which is death, of his smallness, of his impotence; he is aware of others as others; man is in nature, subject to its laws even if he transcends it with his thought."
Erich Fromm"Who made you glorious as the gates of heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flower Of loveliest blue, spread garlands at your feet? God! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, God! God! sing, ye meadow-streams, with gladsome voice! Ye pine-groves, with your soft and soul-like sounds! And they too have a voice, yon piles of snow, And in their perilous fall shall thunder, God!"
Samuel Taylor Coleridge"All Nature seems at work. Slugs leave their lair — The bees are stirring — birds are on the wing — And Winter slumbering in the open air, Wears on his smiling face a dream of Spring! And I the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing."
Samuel Taylor Coleridge"Taste is the intermediate faculty which connects the active with the passive powers of our nature, the intellect with the senses; and its appointed function is to elevate the images of the latter, while it realizes the ideas of the former."
Samuel Taylor Coleridge