Charlotte Brontë

"Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance."

"I avoid looking forward or backward, and try to keep looking upward."

"If we would build on a sure foundation in friendship, we must love friends for their sake rather than for our own."

"I can only say with deeper sincerity and fuller significance — what I have always said in theory — Wait Gods will."

"But two miles more, and then we rest! Well, there is still an hour of day, And long the brightness of the West Will light us on our devious way; Sit then, awhile, here in this wood— So total is the solitude, We safely may delay."

"Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour ... If at my convenience I might break them, what would be their worth?"

"You know that when the work entitled "Jane Eyre" appeared, with a fictitious name, it was said to be a work of too great power for any woman-that it must have been written by a man. It proved, however, to have been written by a woman."

"If you like poetry let it be first-rate; Milton, Shakespeare, Thomson, Goldsmith, Pope (if you will, though I dont admire him), Scott, Byron, Camp[b]ell, Wordsworth, and Southey. Now dont be startled at the names of Shakespeare and Byron. Both these were great men, and their works are like themselves. You will know how to choose the good and avoid the evil; the finest passages are always the purest, the bad are invariably revolting, you will never wish to read them over twice."

"What is this Hebrew Christ? To me unknown, His lineage—doctrine—mission—yet how clear, Is God-like goodness, in his actions shewn! How straight and stainless is his lifes career! The ray of Deity that rests on him, In my eyes makes Olympian glory dim."

"Have you yet read Miss Martineau’s and Mr. Atkinson’s new work, Letters on the Nature and Development of Man? If you have not, it would be worth your while to do so. Of the impression this book has made on me, I will not now say much. It is the first exposition of avowed atheism and materialism I have ever read; the first unequivocal declaration of disbelief in the existence of a God or a future life I have ever seen. In judging of such exposition and declaration, one would wish entirely to put aside the sort of instinctive horror they awaken, and to consider them in an impartial spirit and collected mood. This I find difficult to do. The strangest thing is, that we are called on to rejoice over this hopeless blank — to receive this bitter bereavement as great gain — to welcome this unutterable desolation as a state of pleasant freedom. Who could do this if he would? Who would do this if he could? Sincerely, for my own part, do I wish to know and find the Truth; but if this be Truth, well may she guard herself with mysteries, and cover herself with a veil. If this be Truth, man or woman who beholds her can but curse the day he or she was born. I said however, I would not dwell on what I thought; rather, I wish to hear what some other person thinks,--someone whose feelings are unapt to bias his judgment. Read the book, then, in an unprejudiced spirit, and candidly say what you think of it. I mean, of course, if you have time — not otherwise."

"Yesterday I saw Mr. Thackeray. He dined here with some other gentlemen. He is a very tall man — above six feet high, with a peculiar face — not handsome, very ugly indeed, generally somewhat stern and satirical in expression, but capable also of a kind look. He was not told who I was, he was not introduced to me, but I soon saw him looking at me through his spectacles; and when we all rose to go down to dinner he just stepped quietly up and said “Shake hands”; so I shook hands. He spoke very few words to me, but when he went away he shook hands again in a very kind way. It is better, I should think, to have him for a friend than an enemy, for he is a most formidable-looking personage. I listened to him as he conversed with the other gentlemen. All he says is most simple, but often cynical, harsh, and contradictory."

"I have twice seen Macready act; once in Macbeth and once in Othello. I astounded a dinner-party by honestly saying I did not like him. It is the fashion to rave about his splendid acting; anything more false and artificial, less genuinely impressive than his whole style, I could scarcely have imagined. The fact is, the stage-system altogether is hollow nonsense. They act farces well enough; the actors comprehend their parts and do them justice. They comprehend nothing about tragedy or Shakespeare, and it is a failure. I said so, and by so saying produced a blank silence, a mute consternation."