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Sylvia Plath

Sylvia Plath

Sylvia Plath

Sylvia Plath

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Sylvia Plath was an American poet and author. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar (1963), a semi-autobiographical novel published one month before her suicide. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awar

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"Later Buddy told me the woman was on a drug that would make her forget shed had any pain and that when she swore and groaned she really didnt know what she was doing because she was in a kind of twilight sleep. I thought it sounded just like the sort of drug a man would invent. Here was a woman in terrible pain, obviously feeling every bit of it or she wouldnt groan like that, and she would go straight home and start another baby, because the drug would make her forget how bad the pain had been, when all the time, in some secret part of her, that long, blind, doorless and windowless corridor of pain was waiting to open up and shut her in again."
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"I happened to be at Cambridge. I was sent there by the [US] government on a government grant. And Id read some of Teds poems in this magazine and I was very impressed and I wanted to meet him. I went to this little celebration and thats actually where we met. Then we saw a great deal of each other. Ted came back to Cambridge and suddenly we found ourselves getting married a few months later... We kept writing poems to each other. Then it just grew out of that, I guess, a feeling that we both were writing so much and having such a fine time doing it, we decided that this should keep on."
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"I didnt feel like asking him if there were any other ways to have babies. For some reason the most important thing to me was actually seeing the baby come out of you yourself and making sure it was yours. I thought if you had to have all that pain anyway you might just as well stay awake. I had always imagined myself hitching up on to my elbows on the delivery table after it was all over — dead white, of course, with no makeup and form the awful ordeal, but smiling and radiant, with my hair down to my waist, and reaching out for my first little squirmy child and saying its name, whatever it was."
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"I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldnt quite make out."
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"Its a tango." Marco maneuvered me out among the dancers. "I love tangos." "I cant dance." "You dont have to dance. Ill do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marcos leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesnt take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?" Marcos breath scorched my ear. "Youre a perfectly respectable dancer."
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"When they asked some old Roman philosopher or other how he wanted to die, he said he would open his veins in a warm bath. I thought it would be easy, lying in the tub and seeing the redness flower from my wrists, flush after flush through the clear water, till I sank to sleep under a surface gaudy as poppies. But when it came right down to it, the skin of my wrist looked so white and defenseless that I couldnt do it. It was as if what I wanted to kill wasnt in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get at."
Sylvia PlathSylvia Plath

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