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Besides, what difference did if make if there had been two genuine coi — Fritz Leiber

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"Besides, what difference did if make if there had been two genuine coincidences? The universe was full of them. Every molecular collision was a coincidence. You could pile a thousand coincidences on top of another, he averred, and not get Tom Digby one step nearer to believing in the supernatural. Oh, he knew intelligent people enough, all right, who coddled such beliefs. Some of his best friends liked to relate “yarns” and toy with eerie possibilities for the sake of a thrill. But the only emotion Tom ever got out of such stuff was a nauseating disgust. It cut too deep for joking. It was a reversion to that primitive, fear-bound ignorance from which science had slowly lifted man, inch by inch, against the most bitter opposition."
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Fritz Leiber
Fritz Leiber
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Fritz Reuter Leiber Jr. was an American writer of fantasy, horror, and science fiction.

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"I’ve never found anything in occult literature that seemed to have a bearing. You know, the occult—very much like stories of supernatural horror—is a sort of game. Most religions, too. Believe in the game and accept its rules—or the premises of the story—and you can have the thrills or whatever it is you’re after. Accept the spirit world and you can see ghosts and talk to the dear departed. Accept Heaven and you can have the hope of eternal life and the reassurance of an all-powerful god working on your side. Accept Hell and you can have devils and demons, if that’s what you want. Accept—if only for story purposes—witchcraft, druidism, shamanism, magic or some modern variant and you can have werewolves, vampires, elementals. Or believe in the influence and power of a grave, an ancient house or monument, a dead religion, or an old stone with an inscription on it—and you can have inner things of the same general sort. But I’m thinking of the kind of horror—and wonder too, perhaps—that lies beyond any game, that’s bigger than any game, that’s fettered by no rules, conforms to no man-made theology, bows to no charms or protective rituals, that strides the world unseen and strikes without warning where it will, much the same as (though it’s of a different order of existence than all of these) lightning or the plague or the enemy atom bomb. The sort of horror that the whole fabric of civilization was designed to protect us from and make us forget. The horror about which all man’s learning tells us nothing."
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Fritz Leiber

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"How seldom, Friend! a good great man inherits Honour or wealth, with all his worth and pains! It sounds like stories from the land of spirits, If any man obtain that which he merits, Or any merit that which he obtains.   . For shame, dear Friend! renounce this canting strain! … Greatness and goodness are not means, but ends! Hath he not always treasures, always friends, The good great man? Three treasures, and , And , regular as infants breath; And three firm friends, more sure than day and night, , his , and the Angel ."
Samuel Taylor ColeridgeSamuel Taylor Coleridge
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"Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever. Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos. Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through : the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the , is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake."
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Ontology
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"Besides inventing quantum theory, Planck had made another great contribution to science by welcoming and generously supporting the young Albert Einstein. In 1905, when Einstein, then an unknown employee of the Swiss patent office in Bern, sent five revolutionary papers to the physics journal that Planck edited in Berlin, Planck immediately recognized them as works of genius and published them quickly without sending them to referees. He did not agree with all of Einstein’s ideas, but he published all of them. He helped Einstein to move ahead in the academic world, and in 1913 invited him to a full professorship in Berlin. For twenty years Planck and Einstein were friends and colleagues in Berlin, leaders of a scientific community that remained creative and vibrant, in spite of the political and economic disarray that surrounded them. Planck was the rock-solid central figure of German science, with the vision to promote the unorthodox and unpatriotic citizen-of-the-world Einstein."
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Max Planck