SHAWORDS

I did not come to know part II of Faust until long after I made my ill — Eugène Delacroix

"I did not come to know part II of Faust until long after I made my illustrations, and even then only very superficially. It struck me as an ill-digested work, of little interest from the literary standpoint, but among those most calculated to inspire a painter owing to the mixture of characters and styles it contains.. .You asked what gave me the first idea of the Faust lithographs. I remember that about 1821 I saw the designs made by Retch [ [[w:Moritz Retzsch|Retzsch] ]] and found them rather striking; but it was above all the performance of a dramatic opera on Faust that I saw in London in 1825 which stirred me to do something on the subject. The actor.. ..was a perfect Mephistopheles; he was fat, but that in no way diminished his nimbleness and his Satanic character."
Eugène Delacroix
Eugène Delacroix
Eugène Delacroix
author66 quotes

Ferdinand Victor Eugène Delacroix was a French Romantic artist who was regarded as the leader of the French Romantic school.

More by Eugène Delacroix

View all →
Quote
"Criticism, like so many other things, keeps to what has been said before and does not get out of the rut. This business of the Beautiful some see it in curved lines, some in straight lines, but all persist in seeing it as a matter of line. I am now looking out of my window and I can see the most lovely countryside; lines just do not come into my head: the lark is singing, the river sparkles with a thousand diamonds, the leaves are whispering; where, I should like to know, are the lines that produce delicious impressions like these? They refuse to see proportion or harmony except between two lines: all else they regard as chaos, and the dividers alone are judge."
Eugène DelacroixEugène Delacroix
Quote
"If you make the light dominate too much, the breadth of the planes leads to the absence of half tints, and consequently to discoloration; the opposite abuse is harmful above all in big compositions destined to be seen from a distance, like ceilings, etc. In the latter form of painting, Paul Veronese goes beyond Rubens through the simplicity of his local color and his breadth in handling the light.. .Veronese had greatly to strengthen his local color in order that it should not appear discolored when immunized by the very broad light he threw on it."
Eugène DelacroixEugène Delacroix
Quote
"For a man who is sensitive to nature, happiness consists in expressing nature. How infinitely happy, then, is the man who reflects nature like a mirror without being aware of it, who does the thing for love of it and not from any pretensions to take first place. This noble unself-consciousness is what we find in all truly great men, in the founders of the arts. I picture the great Poussin, in his retreat, delighting in the study of the human heart.. ..I picture Raphael in the arms of his mistress, turning from La Fornarina to paint his Saint Cecilia.. ..I am only too well aware that I am far not only from their divine spirit, but even from their modest simplicity..."
Eugène DelacroixEugène Delacroix

More on Time

View all →
Quote
"History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles. When you go to Mexico City through space, you find it a sort of cross between modern Madrid and modern Chicago, with additions of its own; but if you go to Mexico City through history, back only 500 years, you will find it as distant as though it were on another planet: inhabited by cultivated barbarians, sensitive and cruel, highly organized and still in the Copper Age, a collection of startling, of unbelievable contrasts."
G
Gilbert Highet
Quote
"As soon as a thought or word becomes a tool, one can dispense with actually ‘thinking’ it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics—the model of all neo-positivistic thinking—lies in just this ‘intellectual economy.’ Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. … Reason … becomes a fetish, a magic entity that is accepted rather than intellectually experienced."
M
Mathematics