Quote
"Dont you think your Corot [to Guilemet the painter] is a little short on temperament? Im painting a portrait of Vallabreque; the highlight on the nose is pure vermilion [remark of Cezanne ca. 1860]"
"Its like Impressionism. They all do it at the Salons. Oh, very discreetly! I too was an Impressionist. I dont conceal the fact. Pissarro had an enormous influence on me. But I wanted to make out of Impressionism something solid and lasting like the art of the museums."

Paul Cézanne was a French Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism.
"Dont you think your Corot [to Guilemet the painter] is a little short on temperament? Im painting a portrait of Vallabreque; the highlight on the nose is pure vermilion [remark of Cezanne ca. 1860]"
"But there are motifs that would need three or four months work, which could be done, as the vegetation doesnt change here. There are the olive trees and the pines that always keep their leaves. The sun is so fierce that objects seem to be silhouetted, not only in black or white, but in blue, red, brown, violet. I may be wrong, but this seems to be the very opposite of modeling. How happy the gentle landscapists of Auvers would be here, and that [con, or bastard?] Guillemet."
"You wretch! [Cezanne is portraying the art dealer Vollard who changed his pose during the painter session] Youve spoiled the pose. Do I have to tell you again you must sit like an apple? Does an apple move?"
"Everybodys going crazy over the Impressionists; what art needs is a Poussin made over according to nature. There you have it in a nutshell."
"To my mind one does not put oneself in place of the past, one only adds a new link."
"At Aix () I am not free; whenever I want to return to Paris, I always have to put up a fight, and, although your (his father) opposition may not be absolute, I am always deeply affected by the resistance that I encounter from you. I sincerely want my liberty unfettered.. ..it would give me great pleasure to work in the Midi, some aspects of which offer many resources to the painter; there I would be able to attack some of the problems that I wish to solve."