Loonies speak their own language, like educated people. — Patrick White

"In my books I have lifted bits from various religions in trying to come to a better understanding; Ive made use of religious themes and symbols. Now, as the world becomes more pagan, one has to lead people in the same direction in a different way."

"The essence of what you have to say you pick up before youre twenty."

"Ive lost interest in the theatre because you cant get what you want ever. I used to think it would be wonderful to see what you had written come to life. Here in Australia its very hard to get an adequate performance because of the state of the theatre; but even if you have the best actors in the world its never what you visualised. One cant say all one wants to say, one cant convey it."

"I always like to write three versions of a book. The first is always agony and chaos; no one could understand it. With the second you get the shape, its more or less all right. I write both of those in longhand. The third draft I type out with two fingers: its for refining of meaning, additions and subtractions. I think my novels usually begin with characters; you have them floating about in your head and it may be years before they get together in a situation. Characters interest me more than situations."

"In the last couple of years Ive been doing this sort of thing constantly, often repeating myself, becoming an avoidable Doomsday bore. But anything of importance — like a garden, a human relationship, a child, a religious faith, even the most convinced brand of atheism has to be worked on constantly if it is to survive."

"Conversation is imperative if gaps are to be filled, and old age, it is the last gap but one."

"I say this to you because we Spaniards are a forgetful people, because we are used to living for the moment, because we do not look back, because we do not know how to see the chain of heroes, because we do not contemplate the sum of sacrifices."

"If it fulfills our hopes, this center will be, at once, a symbol and a reflection and a hope. It will symbolize our belief that the world of creation and thought are at the core of all civilization. Only recently in the White House we helped commemorate the 400th anniversary of Shakespeare. The political conflicts and ambitions of his England are known to the scholar and to the specialist. But his plays will forever move men in every corner of the world. The leaders that he wrote about live far more vividly in his words than in the almost forgotten facts of their own rule. Our civilization, too, will largely survive in the works of our creation. There is a quality in art which speaks across the gulf dividing man from man and nation from nation, and century from century. That quality confirms the faith that our common hopes may be more enduring than our conflicting hostilities. Even now men of affairs are struggling to catch up with the insights of great art. The stakes may well be the survival of civilization. The personal preferences of men in government are not important--except to themselves. However, it is important to know that the opportunity we give to the arts is a measure of the quality of our civilization. It is important to be aware that artistic activity can enrich the life of our people, which really is the central object of Government. It is important that our material prosperity liberate and not confine the creative spirit."

"There was a man and he had eight sons. Apart from that, he was nothing more than a comma on the page of History. Its sad, but thats all you can say about some people."

"Children must be free to think in all directions irrespective of the peculiar ideas of parents who often seal their childrens minds with preconceived prejudices and false concepts of past generations. Unless we are very careful, very careful indeed, and very conscientious, there is still great danger that our children may turn out to be the same kind of people we are."

"I hear people say I swing at bad pitches. What is a bad pitch? If I can hit it, its not a bad pitch."

"A free people will always refuse to put up with preventable poverty. If freedom is to be saved and enlarged, poverty must be ended. There is no other solution. The problem of how to prevent these three forces from coming into head-on collision is the principal study of the more politically conscious Conservative leaders. How can wealth persuade poverty to use its political freedom to keep wealth in power? Here lies the whole art of Conservative politics in the twentieth century."