SHAWORDS

This petty place cannot be Hell, Roadstrum? Ah, but it is my friend. T — R. A. Lafferty

"This petty place cannot be Hell, Roadstrum? Ah, but it is my friend. That, you see, is the hell of it."
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R. A. Lafferty
R. A. Lafferty
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Raphael Aloysius Lafferty was an American science fiction, fantasy and historical fiction writer best known for his imaginative and eccentric short stories and novels from the 1960s and 1970s.

More by R. A. Lafferty

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"The war was finished. It had lasted ten equivalent years and taken ten million lives. Thus it was neither of long duration nor of serious attrition. It hadnt any great significance; it was not intended to have. It did not prove a point, since all points had long ago been proven. What it did, perhaps, was to emphasize an aspect, sharpen a concept, underline a trend. On the whole it was a successful operation. Economically and ecologically it was of healthy effect, and who should grumble? And after wars, men go home. No, no, men start for home. Its not the same."
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R. A. Lafferty
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"The devils stroll the earth again and infect with the red sickness. They must, at all cost to themselves, destroy the growing tendrils before such can touch the other side. For, whenever one least growing creeper touches across the interval, that means the extinction of a devil. It is a thing to be tested. Notice it that whenever there is the special shrilling, when there is the wild flinging out of catchwords to catch you in, when there are the weird exceptions and inclusions, when there are specious arguments and the murderous defamations, when all the volubility of the voltairians and the cuteness of the queers has been assembled to confound you, then one green growth has almost reached across to the other side, one devil is in danger of extinction. Oh, they will defend against that!"
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R. A. Lafferty
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"For me, reading Lafferty was like looking into Chapman’s Homer. He interested me in SF again, after I had outgrown my early love for Simak and Asimov and Heinlein. What a word slinger: what a richness of idea and image, in Irish-cadenced prose! Lafferty wrote the opposite of the post-Chekhovian modern short story. Show don’t tell? The pleasure is in the telling. Rhetoric, in the grand old manner, was at the center of his game. He could go from high-faluting to just plain faluting, and back again, all in a paragraph. Like Charles Mingus, another American original, Lafferty loved the sounds he made; never satisfied with mere profundity, he was pretty, too. He was our Mingus, I think, elevating us all. And his stories always had a humanist agenda, though I understand he was a political conservative. … I believe his day is yet to come; that like Melville, Lafferty will be "discovered," and his Okla Hannali will take its rightful place as one of the three or four truly great 20th century American novels."
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R. A. Lafferty

More on Friendship

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"How seldom, Friend! a good great man inherits Honour or wealth, with all his worth and pains! It sounds like stories from the land of spirits, If any man obtain that which he merits, Or any merit that which he obtains.   . For shame, dear Friend! renounce this canting strain! … Greatness and goodness are not means, but ends! Hath he not always treasures, always friends, The good great man? Three treasures, and , And , regular as infants breath; And three firm friends, more sure than day and night, , his , and the Angel ."
Samuel Taylor ColeridgeSamuel Taylor Coleridge
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"Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever. Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos. Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through : the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the , is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake."
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Ontology
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"Besides inventing quantum theory, Planck had made another great contribution to science by welcoming and generously supporting the young Albert Einstein. In 1905, when Einstein, then an unknown employee of the Swiss patent office in Bern, sent five revolutionary papers to the physics journal that Planck edited in Berlin, Planck immediately recognized them as works of genius and published them quickly without sending them to referees. He did not agree with all of Einstein’s ideas, but he published all of them. He helped Einstein to move ahead in the academic world, and in 1913 invited him to a full professorship in Berlin. For twenty years Planck and Einstein were friends and colleagues in Berlin, leaders of a scientific community that remained creative and vibrant, in spite of the political and economic disarray that surrounded them. Planck was the rock-solid central figure of German science, with the vision to promote the unorthodox and unpatriotic citizen-of-the-world Einstein."
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Max Planck