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Henri Barbusse

Henri Barbusse

Henri Barbusse

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Henri Barbusse was a French novelist, short story writer, journalist, poet and political activist. He began his literary career in the 1890s as a Symbolist poet and continued as a neo-Naturalist novelist; in 1916, he published Under Fire, a novel about World War I based on his experience which is described as one of the earliest works of the Lost Generation movement or as the work which started it

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"The universal problem into which modern life, as well as past life, rushes and embroils and rends itself, can only be dispersed by a universal means which reduces each nation to what it is in truth; which strips from them all the ideal of supremacy stolen by each of them from the great human ideal; a means which, raising the human ideal definitely beyond the reach of all those immoderate emotions, which shout together "Mine is the only point of view," gives it at last its divine unity. Let us keep the love of the motherland in our hearts, but let us dethrone the conception of Motherland. I will say what there is to say: I place the Republic before France. France is ourselves. The Republic is ourselves and the others. The general welfare must be put much higher than national welfare, because it is much higher."
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Henri Barbusse
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"We shall say to ourselves," says one, "After all, why do we make war? We dont know at all why, but we can say who we make it for. We shall be forced to see that if every nation every day brings the fresh bodies of fifteen hundred young men to the God of War to be lacerated, its for the pleasure of a few ringleaders that we could easily count; that if whole nations go to slaughter marshaled in armies in order that the gold-striped caste may write their princely names in history, so that other gilded people of the same rank can contrive more business, and expand in the way of employees and shops — and we shall see, as soon as we open our eyes, that the divisions between mankind are not what we thought, and those one did believe in are not divisions."
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"Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot. Paradis says to me, "Thats war." "Yes, thats it," he repeats in a far-away voice, "thats war. Its not anything else." He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugles chanticleer call to the sun!" Paradis was so full of this thought that he ruminated a memory, and growled, "Dyou remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, How beautiful they must be to see!" A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, Beautiful? Oh, hell! Its just as if an ox were to say, What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!"
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Henri Barbusse
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"They are not only the warrior caste who shout as they fight and have joy of it, not only those whom universal slavery has clothed in magic power, the mighty by birth, who tower here and there above the prostration of the human race and will take their sudden stand by the scales of justice when they think they see great profit to gain; not only these, but whole multitudes who minister consciously or unconsciously to their fearful privilege. "There are those who say," now cries one of the somber and compelling talkers, extending his hand as though he could see the pageant, "there are those who say, How fine they are!" "And those who say, The nations hate each other!" "And those who say, I get fat on war, and my belly matures on it!" "And those who say, There has always been war, so there always will be!" "There are those who say, I cant see farther than the end of my nose, and I forbid others to see farther!"."
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"Already there is uneasy hesitation in these castaways discussion of their tragedy, in the huge masterpiece of destiny that they are roughly sketching. It is not only the peril and pain, the misery of the moment, whose endless beginning they see again. It is the enmity of circumstances and people against the truth, the accumulation of privilege and ignorance, of deafness and unwillingness, the taken sides, the savage conditions accepted, the immovable masses, the tangled lines. And the dream of fumbling thought is continued in another vision, in which everlasting enemies emerge from the shadows of the past and stand forth in the stormy darkness of to-day."
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Henri Barbusse

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