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"In heaven, all ordinary thought is higher and more melodious than Miltons song. Then, would he add another verse to any strain that he had left unfinished here?"
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Nathaniel HawthorneNathaniel Hawthorne
Nathaniel Hawthorne
Nathaniel Hawthorne was an American novelist and short story writer. His works often focus on history, morality, and religion.
"In heaven, all ordinary thought is higher and more melodious than Miltons song. Then, would he add another verse to any strain that he had left unfinished here?"
"Lo, there ye stand, my children," said the figure, in a deep and solemn tone, almost sad with its despairing awfulness, as if his once angelic nature could yet mourn for our miserable race. "Depending upon one anothers hearts, ye had still hoped that virtue were not all a dream. Now are ye undeceived. Evil is the nature of mankind. Evil must be your only happiness. Welcome again, my children, to the communion of your race."
"Nobody has any conscience about adding to the improbabilities of a marvelous tale."
"Long, long may it be, ere he comes again! His hour is one of darkness, and adversity, and peril. But should domestic tyranny oppress us, or the invaders step pollute our soil, still may the Gray Champion come, for he is the type of New Englands hereditary spirit; and his shadowy march, on the eve of danger, must ever be the pledge, that New Englands sons will vindicate their ancestry."
"In old times, the settlers used to be astounded by the inroads of the northern Indians, coming down upon them from this mountain rampart, through some defile known only to themselves. It is indeed a wondrous path. A demon, it might be fancied, or one of the Titans, was travelling up the valley, elbowing the heights carelessly aside as he passed, till at length a great mountain took its stand directly across his intended road. He tarries not for such an obstacle, but rending it asunder, a thousand feet from peak to base, discloses its treasures of hidden minerals, its sunless waters, all the secrets of the mountains inmost heart, with a mighty fracture of rugged precipices on each side. This is the Notch of the White Hills. Shame on me, that I have attempted to describe it by so mean an image — feeling, as I do, that it is one of those symbolic scenes, which lead the mind to the sentiment, though not to the conception, of Omnipotence."
"By the sympathy of your human hearts for sin ye shall scent out all the places — whether in church, bedchamber, street, field, or forest — where crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood spot."
"The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages."
"Only get rid altogether of your nonsensical trash about the beautiful, which I nor anybody else, nor yourself to boot, could ever understand,—only free yourself of that, and your success in life is as sure as daylight."
"Would Time but await the close of our favorite follies, we should all be young men, all of us, and until Dooms Day."
"To persons whose pursuits are insulated from the common business of life—who are either in advance of mankind or apart from it—there often comes a sensation of moral cold that makes the spirit shiver as if it had reached the frozen solitudes around the pole. What the prophet, the poet, the reformer, the criminal, or any other man with human yearnings, but separated from the multitude by a peculiar lot, might feel, poor Owen felt."
"In youth men are apt to write more wisely than they really know or feel; and the remainder of life may be not idly spent in realizing and convincing themselves of the wisdom which they uttered long ago."
"How slowly I have made my way in life! How much is still to be done! How little worth — outwardly speaking — is all that I have achieved! The bubble reputation is as much a bubble in literature as in war, and I should not be one whit the happier if mine were world-wide and time-long than I was when nobody but yourself had faith in me. The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of ones family and friends; and, lastly, the solid cash."