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The Hunchback of Notre-Dame

The Hunchback of Notre-Dame

The Hunchback of Notre-Dame

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The Hunchback of Notre-Dame is a French Gothic novel by Victor Hugo, published in 1831. The title refers to the Notre-Dame Cathedral, which features prominently throughout the novel. It focuses on the unfortunate story of Quasimodo, the Romani street dancer Esmeralda, and Quasimodo's guardian the Archdeacon Claude Frollo in 15th-century Paris. All its elements—the Renaissance setting, impossible l

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"“We must have the mystery instantly,” resumed the student; “or else, my advice is that we should hang the bailiff of the courts, by way of a morality and a comedy.” “Well said,” cried the people, “and let us begin the hanging with his sergeants.” A grand acclamation followed. The four poor fellows began to turn pale, and to exchange glances. The crowd hurled itself towards them, and they already beheld the frail wooden railing, which separated them from it, giving way and bending before the pressure of the throng."
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The Hunchback of Notre-Dame
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"In the course of time there had been formed a certain peculiarly intimate bond which united the ringer to the church. Separated forever from the world, by the double fatality of his unknown birth and his natural deformity, imprisoned from his infancy in that impassable double circle, the poor wretch had grown used to seeing nothing in this world beyond the religious walls which had received him under their shadow. Notre-Dame had been to him successively, as he grew up and developed, the egg, the nest, the house, the country, the universe."
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The Hunchback of Notre-Dame
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"After all, what was a miserable dancer on the public squares in the presence of these high-born maidens? They seemed to take no heed of her presence, and talked of her aloud, to her face, as of something unclean, abject, and yet, at the same time, passably pretty. The gypsy was not insensible to these pin-pricks. From time to time a flush of shame, a flash of anger inflamed her eyes or her cheeks; with disdain she made that little grimace with which the reader is already familiar, but she remained motionless; she fixed on Phœbus a sad, sweet, resigned look."
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The Hunchback of Notre-Dame
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"Meanwhile, the dancer remained motionless upon the threshold. Her appearance had produced a singular effect upon these young girls. It is certain that a vague and indistinct desire to please the handsome officer animated them all, that his splendid uniform was the target of all their coquetries, and that from the moment he presented himself, there existed among them a secret, suppressed rivalry, which they hardly acknowledged even to themselves, but which broke forth, none the less, every instant, in their gestures and remarks. Nevertheless, as they were all very nearly equal in beauty, they contended with equal arms, and each could hope for the victory."
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"Around the hall, along the lofty wall, between the doors, between the windows, between the pillars, the interminable row of all the kings of France, from Pharamond down: the lazy kings, with pendent arms and downcast eyes; the valiant and combative kings, with heads and arms raised boldly heavenward. Then in the long, pointed windows, glass of a thousand hues; at the wide entrances to the hall, rich doors, finely sculptured; and all, the vaults, pillars, walls, jambs, panelling, doors, statues, covered from top to bottom with a splendid blue and gold illumination, which, a trifle tarnished at the epoch when we behold it, had almost entirely disappeared beneath dust and spiders in the year of grace, 1549, when du Breul still admired it from tradition."
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The Hunchback of Notre-Dame

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