The difference between the artificial and the artful in the artistic l — John Dewey

"Individuality, conceived as a temporal development involves uncertainty, indeterminacy, or contingency. Individuality is the source of whatever is unpredictable in the world."

"There are in our minds in solution a vast number of emotional attitudes, feelings ready to be re-excited when the proper stimulus arrives, and more than anything else it is these forms, this residue of experience, which, fuller and richer than in the mind if the ordinary man, constitute the artist’s capital. What is called the magic of the artist resides in his ability to transfer these values from one field of experience to another, to attach them to objects of our common life, and by his imaginative insight make these objects poignant and momentous. Not colors, not sense qualities as such, are either matter or form, but these qualities as thoroughly imbued, impregnated, with transferred value. And then they are either matter or form according to the direction of our interest."

"Such external or mere means, as we properly term them, are usually of such a sort that others can be substituted for them; the particular ones employed are determined by some extraneous consideration, like cheapness. But the moment we say “media”, we refer to means that are incorporated in the outcome. Even bricks and mortar become part of the house they are employed to build; they are not mere means to its erection. Colors are the painting; tones are the music. A picture painted with water colors has a quality different from that painted with oil. Esthetic effects belong intrinsically to their medium; when another medium is substituted, we have a stunt rather than an object of art. Even when substitution is practiced with the utmost virtuosity or for any reason outside the kind of end desired, the product is mechanical or a tawdry sham — like boards painted to resemble stone in the construction of a cathedral, for stone is integral not just physically, but to the esthetic effect."

"... classic philosophy maintained that change, and consequently time, are marks of inferior reality, holding that true and ultimate reality is immutable and eternal. Human reasons, all too human, have given birth to the idea that over and beyond the lower realm of things that shift like the sands on the seashore there is the kingdom of the unchanging, of the complete, the perfect. The grounds for the belief are couched in the technical language of philosophy, but the grounds for the cause is the hearts desire for surcease from change, struggle, and uncertainty. The eternal and immutable is the consummation of mortal mans quest for certainty."

"While they denounce as subversive anarchy signs of independent thought, of thinking for themselves on the part of others lest such thought disturb the conditions by which they profit, they think quite literally for themselves, that is of themselves."

"The animating purpose of James was, on the other hand, primarily moral and artistic. It is expressed in his phrase, "block universe," employed as a term of adverse criticism. Mechanism and idealism were abhorrent to him because they both hold to a closed universe in which there is no room for novelty and adventure. Both sacrifice individuality and all the values, moral and aesthetic, which hang upon individuality; for according to absolute idealism, as to mechanistic materialism, the individual is simply a part determined by the whole of which he is a part. Only a philosophy of pluralism, of genuine indetermination, and of change which is real and intrinsic gives significance to individuality. It alone justifies struggle in creative activity and gives opportunity for the emergence of the genuinely new."

"How seldom, Friend! a good great man inherits Honour or wealth, with all his worth and pains! It sounds like stories from the land of spirits, If any man obtain that which he merits, Or any merit that which he obtains.   . For shame, dear Friend! renounce this canting strain! … Greatness and goodness are not means, but ends! Hath he not always treasures, always friends, The good great man? Three treasures, and , And , regular as infants breath; And three firm friends, more sure than day and night, , his , and the Angel ."

"Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever. Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos. Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through : the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the , is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake."

"Besides inventing quantum theory, Planck had made another great contribution to science by welcoming and generously supporting the young Albert Einstein. In 1905, when Einstein, then an unknown employee of the Swiss patent office in Bern, sent five revolutionary papers to the physics journal that Planck edited in Berlin, Planck immediately recognized them as works of genius and published them quickly without sending them to referees. He did not agree with all of Einstein’s ideas, but he published all of them. He helped Einstein to move ahead in the academic world, and in 1913 invited him to a full professorship in Berlin. For twenty years Planck and Einstein were friends and colleagues in Berlin, leaders of a scientific community that remained creative and vibrant, in spite of the political and economic disarray that surrounded them. Planck was the rock-solid central figure of German science, with the vision to promote the unorthodox and unpatriotic citizen-of-the-world Einstein."

"One day I was filled with longing To behold in human form the splendours of the Friend, To witness the ocean gathered up into a drop, The sun compressed into a single atom."

"Our friends from the Trade Federation have pledged their support. And when their battle droids are combined with yours, we shall have an army greater than any in the galaxy. The Jedi will be overwhelmed. The Republic will agree to any demands we make."

"Although my heart may be weak, its not alone. Its grown with each new experience. And its found a home with all the friends Ive made. Ive become a part of their heart, just as theyve become a part of mine. And if they think of me now and then, if they dont forget me, then our hearts will be one. I dont need a weapon. My friends are my power!"