When I sit down to make a sketch from nature, the first thing I try to — John Constable

"It is much to my advantage that several of my pictures should be seen together, as it displays to advantage their varieties of conception and also of execution, and what they gain by the mellowing hand of time which should never be forced or anticipated. Thus my pictures when first coming forth have a comparative harshness which at the time acts to my disadvantage."

"He was acquainted with Archdeacon Fisher, and painted for him Salisbury Cathedral, and several views in that neighbourhood. I have stood on the exact spot from which he took the cathedral, which is very like, though not sufficiently confined for his style of painting. Old Sarum, too, is among his most interesting productions."

"Where is my great-coat? I am going to see Mr. Constables pictures. [because of the feeling of frost he got from Constables paintings]"

"Constable himself knew the value of such studies, for he rarely parted with them. He used to say of his studies and pictures that he had no objection to part with the corn, but not with the field that grew it."

"I knew Constables paintings long before I knew Constable, and formed a very wrong estimate of his character. His paintings give one the idea of a positive, conceited person, whereas anyone more diffident of his own powers could not be. Once, not long before his death, when I was with him on Heston steeple, he scratched on the leads those well-known lines of John Milton where he describes Fame as the last infirmity of noble minds, and introduces the Fury with her abhorred shears. Constable could not have described his own character better."

"The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world."

"All men suppose what is called Wisdom to deal with the first causes and the principles of things; so that, as has been said before, the man of experience is thought to be wiser than the possessors of any sense-perception whatever, the artist wiser than the men of experience, the masterworker than the mechanic, and the theoretical kinds of knowledge to be more of the nature of Wisdom than the productive."

"The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine."

"Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances."

"The intimate rapport with nature is one of the most precious things in life. Nature is indeed very close to us; sometimes closer than hands and feet, of which in truth she is but the extension. The emotional appeal of nature is tremendous, sometimes almost more than one can bear."

"I do not believe it is in our nature to love impartially. We deceive ourselves when we think we can love two beings, even our own children, equally. There is always a dominant affection."

"One world sufficed not Alexander’s mind; Coop’d up he seem’d, in earth and seas confined."