I was reading about and looking at Mantegna [Italian early-Renaissance — Paula Modersohn-Becker

"I feel a burning desire to become grand in simplicity."

"The Journal of Marie Bashkirtseff. Her thoughts enter my bloodstream and make me very sad. I say as she doers: if only I could accomplish something! My existence seems humiliating to me. We dont have the right to strut around, not until weve made something of ourselves."

"I paint all day. First Becka Brotmann with her loose yellow hair and just a suggestion of dahlias in the background. Then I painted Anni Brotmann at the clay pit, where the sun nearly baked us. In the afternoon I painted Rieke Gefken holding red lilies. I think it is the best thing Ive done so far – Ill show it to Mackensen [her teacher in Worpswede] tomorrow. I spent another hour with Vogeler, yesterday.. ..he showed us a sketchbook full of his ideas for etchings.. ..many really fine and original things."

"Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon, which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. Id like to be able to paint something one day in those colors.."

"I sketched a young mother with her child at her breast, sitting in a smoky hut. If only I could someday paint what I felt then. A sweet woman, an image of charity. She was nursing her big, year-old bambino.. .And the woman gave her life and her youth and her power tot the child in utter simplicity, unaware that she was a heroine."

"Today I painted my first plain air portrait at the clay pit, a little blond and blue-eyed girl. The way the little thing stood in the yellow sand was simply beautiful – a bright and shimmering thing to see. It made my heart leap. Painting people is indeed more beautiful than painting a landscape. I suppose you can notice that I am dead-tired, after this long day of hard work, cant you? But inside I am so peaceful and happy.."

"Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation."

"How seldom, Friend! a good great man inherits Honour or wealth, with all his worth and pains! It sounds like stories from the land of spirits, If any man obtain that which he merits, Or any merit that which he obtains.   . For shame, dear Friend! renounce this canting strain! … Greatness and goodness are not means, but ends! Hath he not always treasures, always friends, The good great man? Three treasures, and , And , regular as infants breath; And three firm friends, more sure than day and night, , his , and the Angel ."

"I find it increasingly necessary to express my ideas first in engraving or lithography so that they may develop before I start to paint. Every year my form and expression become more sensitive, and my ideas frequently have to pass through three graphic stages before I can start on the canvas.. .I can hear you say no, that is impossible because the value of the colors demands quite different treatment from black and white, but it is the inner idea that I try to establish firmly through graphic preparation."

"The amount of pain it [murder] causes to everyone who ever cared about you, and innocent people, outweighs anything you are going through right now."

"Chronology, the time which changes things, makes them grow older, wears them out, and manages to dispose of them, chronologically, forever. Thank God there is kairos too: again the Greeks were wiser than we are. They had two words for time: chronos and kairos. Kairos is not measurable. Kairos is ontological. In kairos we are, we are fully in isness, not negatively, as Sartre saw the isness of the oak tree, but fully, wholly, positively. Kairos can sometimes enter, penetrate, break through : the child at play, the painter at his easel, Serkin playing the Appassionata are in kairos. The saint in prayer, friends around the dinner table, the mother reaching out her arms for her newborn baby are in kairos. The bush, the , is in kairos, not any burning bush, but the particular burning bush before which Moses removed his shoes; the bush I pass by on my way to the brook. In kairos that part of us which is not consumed in the burning is wholly awake."

"I was quite active politically just previous to this, and Im leading into this time when I was on WPA and there was a group called the Artists Union which was organized, so that I was extremely active in that. Again that meant more meetings and fighting for artists rights on the WPA.. .I would say it gave me an opportunity to continue through a period of where one had a livelihood to deal with and/or painting. This allowed for painting and Id say in that sense it was extremely influencing.. ..WPA itself ended after the War Service Project and by way of terminating, it allowed you to take one of several war courses that were being offered. After which you were supposed to be able to go into that field and earn a living. I took drafting."